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Roger Paul Peterson Music

Roger Paul Peterson MusicRoger Paul Peterson MusicRoger Paul Peterson Music

Roger Paul Peterson Music

Roger Paul Peterson MusicRoger Paul Peterson MusicRoger Paul Peterson Music
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What is Wintertime like in Vienna?

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Upper Belvedere — Vienna, Austria

Vienna’s Schloss Belvedere was designed by Johann Lukas von Hildebrandt in the 18th century and served as a summer residence for Prince Eugene of Savoy. Now in the 21st century, the winter evening magnificence of Upper Belvedere comes alive with lights focused on this grand palace, further enhanced throughout the December wintertime by bustling Christmas markets and mugs of warm punch in hand.


(Photo and historical information thanks to VoyageGrande.com)

THE Story OF “Wintertime in Vienna” by Roger PAUL PetersON

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Got an “A” on this 1974 class assignment ...

“Wintertime in Vienna” on MC1 Nashville’s Dark Lonesome Records

“Wintertime in Vienna” on MC1 Nashville’s Dark Lonesome Records

My song “Wintertime in Vienna” expresses a musical capture of the breath-taking ambiance of a crisp, invigorating, 21st century Viennese winter. It’s a juxtaposition of fast-moving, meticulous precision music from the 17th/18th century European baroque period intertwined with the techno-rock punch of souped-up, 21st century electronica.

My song “Wintertime in Vienna” expresses a musical capture of the breath-taking ambiance of a crisp, invigorating, 21st century Viennese winter. It’s a juxtaposition of fast-moving, meticulous precision music from the 17th/18th century European baroque period intertwined with the techno-rock punch of souped-up, 21st century electronica.

I penned my original version of Wintertime in Vienna as a 20-measure, Bach-like, 2-part invention for a music class assignment during my second year at Iowa Central Community College (Fort Dodge, Iowa) in 1974. In my attempt at college-age humor, I authored myself as “Liber-Roger” (a play on the name Liberace — a talented, flamboyant pianist at that time) and received an “A” on what I originally titled “Dm Invention.” I still have that actual original class assignment, hand-notated in pencil on old-fashioned notation paper. I always felt it had more potential than just a simple class grade, so I tucked it away until an opportune time.


Thirty-eight years later was the beginning of that opportune time. Now fully engaged in the computer and technology era, I purchased Finale Print Music in 2012 for my Mac computer, allowing me to create a professionally notated score for this piece. I began with just the six opening measures of that 1974 “Dm Invention” class assignment, and now energized by the resurrected, professional quality of that long-idled piece of music, went over to my Samick Grand Piano and note by note, quickly wrote the remaining new 19 measures for the entire song I retitled as Wintertime in Vienna — still primarily a baroque period 2-part Invention in the key of D-minor, which I later souped up into a techno-rock, electronic chiptune.


Finale Print Music also allowed me to assign midi digital sounds to the score I had created. In 2020, I assigned a marimba sound to the upper treble clef score (right hand), and a vibraphone sound to the lower bass clef score (left hand) — then exported audio AIFF files which I then placed as four separate tracks within my Digital Audio Workstation (GarageBand). I also added 27 additional tracks: 2 tracks of chimes generated on one of my other synthesizer modules; 6 tracks of different midi bass guitar/midi bass synthesizer sounds, 9 tracks of midi drum sounds/drum loops; other midi keyboard generated tracks including the brief trumpet-like solo; and finally, 9 tracks of real-time drummer, 16-year old Blake Givargidze on his dad Artie’s bodacious digital drum kit. With a bucketload of post-production mixing, editing and sound-sculpting, we now have the techno-rock, souped-up chiptune version of a baroque period 2-part Invention in Dm, Wintertime in Vienna. 

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“Wintertime in Vienna” on MC1 Nashville’s Dark Lonesome Records

“Wintertime in Vienna” on MC1 Nashville’s Dark Lonesome Records

“Wintertime in Vienna” on MC1 Nashville’s Dark Lonesome Records

I design my own album covers on Canva — a website where anyone can design just about anything.


I chose the Keyboard-Playing-Robot photo (thanks to Franck V on Unsplash) to help represent the fast, precision-played computer-generated sounds I created for “Wintertime in Vienna” using Finale Print Music on my MacBook Pro (specifically the fou

I design my own album covers on Canva — a website where anyone can design just about anything.


I chose the Keyboard-Playing-Robot photo (thanks to Franck V on Unsplash) to help represent the fast, precision-played computer-generated sounds I created for “Wintertime in Vienna” using Finale Print Music on my MacBook Pro (specifically the four main tracks of marimba and vibraphone used throughout the entire song). 


To help create a little more wintertime/Christmas feel to the cover, I added a bright red front cover corner bow, and front cover/back cover Christmas tree and decorations (thanks to stock photos on Canva and to Markus Spiske and Freestocks on Unsplash.)


Merry Christmas 2020!

Listen to teaser sample of “Wintertime in Vienna”
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Back Cover Credits

“Wintertime in Vienna” on MC1 Nashville’s Dark Lonesome Records

Back Cover Credits

My instrumental version of “Wintertime in Vienna” was released November 16th, 2020, on MC1 Nashville’s Dark Lonesome Records label distributed by Sony Music/The Orchard/Perry Music Group.


The vocal version of “Wintertime in Vienna” is scheduled for release one year later during November 2021.


Copious thanks to my euphonious teammates, 16-ye

My instrumental version of “Wintertime in Vienna” was released November 16th, 2020, on MC1 Nashville’s Dark Lonesome Records label distributed by Sony Music/The Orchard/Perry Music Group.


The vocal version of “Wintertime in Vienna” is scheduled for release one year later during November 2021.


Copious thanks to my euphonious teammates, 16-year old Blake Givargidze (drums), Jody Calderon (co-producer), Chris Atkins (corrective production feedback), Darlene Fowler/Rhonda Thompson (media promotion & radio spins) and Ryan Waczek (Spotify streams) for their indispensable contributions. 


(Front and back cover album photos thanks to Franck V, Markus Spiske and Freestocks on Unsplash.)

Order “Christmas in Vienna” Now!

WHy it took me 47 years to complete “Wintertime in Vienna”

“Wintertime in Vienna” started out as a baroque-period music class assignment more than four decades ago. Then, the wonderful opportunities and blessings of life sort of got in the way — until recently, that is. Check out my story! 

(6-min video)

Connect With ME ! !

Copyright © 2020 Roger Paul Peterson, dba RogerPetersonMusic — Orlando Florida USA. ALL RIGHTS RESERVED.

Homepage headline adapted from J.S. Bach. Featured photo shots of Roger Peterson & Keyboards thanks to Matthew Peterson and Bruce Wilson Photography.

Cornerstone Family Church Worship Band photo thanks to Beth Minks. Album cover photos thanks to Denny Müller, Joe Beda, Jan-Willem van Braak, John Salvino, Franck V on Unsplash; and Bruce Wilson Photography. Upright player piano thanks to Bob Beauchamp (Chime&Time). Columbus photo thanks to history.com


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